Wong has drawn on the dramas of her personal pandemic life. Whereas Romeo and Juliet have been separated by their feuding households, Wong and her associate have been separated by lockdown. She took swabs of each their pores and skin and grew them collectively in a petri dish, reuniting them in microbial type and filming them rising collectively.
“Pandemics do fairly bizarre issues to folks, and weirder issues to artwork,” she says. However, in any case, Shakespeare himself wrote Romeo and Juliet underneath lockdown throughout a London plague.
Wong needs to point out the “hidden dramas” throughout us.
“The worldwide pandemic is a microscopic drama, it’s not one thing we will ever understand,” says Wong. “But it’s there and it’s introduced your entire trendy world to a halt.”
Google’s textual content to speech program reads the strains on behalf of the characters. Wong needs her adaptation to embrace international obsession with the microbe, advances in AI, and limits on the way in which theatre may be rehearsed and staged.
The AI’s battle with Shakespeare’s outdated English is simply a part of the eccentricities of its efficiency says Wong. “They’re simply how the AI has chosen to interpret Shakespeare.”
She says the mixture of AI and vibrant microscopic visuals produces a meditative expertise. “Colors slowly shift and alter, and microbes transfer round, and also you hear the pining between these two characters which have been round for 430 years.”
Wong doesn’t have a background in science. Her day job is as an artwork director in promoting. However she says the pandemic has pushed her and plenty of others into being “living-room scientists”, who observe case numbers each morning, study microbes and have turn out to be conscious of life on each floor.
After Wong got here up with the concept, she sourced a microscope from a neighborhood lab. The expertise of taking a look at her personal purple blood cells for the primary time was “awe-inspiring”.