Montreal cartoonist Michel Rabagliati’s everyman Paul is the place all of us are: at house


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That 10 per cent safety is probably particularly pertinent within the case of Paul at House, the place Rabagliati’s choice to cope with his post-separation melancholy head-on in his work (“I’ve to confess I don’t know but whether or not it made me really feel good or made me much more depressed!”) left some folks involved for his well-being.

“After (Paul at House) was revealed in French, I acquired lots of messages from mates and readers,” he recalled. “Some thought I used to be getting ready a rope to hold myself. Some noticed it as a farewell e-book. What I can’t deny is that the considered disappearing did, sadly, usually cross my thoughts throughout the first years of my separation. However I’ve since stabilized. The solar has slowly returned.”

Paul on the way to visit his ailing mother in a seniors' residence. From Michel Rabagliati's Paul at Home. Credit: Michel Rabagliati / Drawn & Quarterly.
In Michel Rabagliati’s Paul at House, Paul heads to a seniors’ residence to go to his ailing mom. Photograph by Michel Rabagliati /Drawn & Quarterly

There’s a masterful draftsmanship and a focus to element in Rabagliati’s work — an consideration that extends proper all the way down to the lettering on street indicators. (“People rub shoulders with billions of typefaces a 12 months, it’s the most generally seen and used artwork type on the planet, but completely nobody is aware of who created them. I discover that incredible.”) So it’s greater than slightly stunning to listen to him downplay the centrality of drawing to what he does.