Some have gone on to forge high quality careers; others are clearly going to if the opera world returns to pre-COVID-19 ranges. Now scattered world wide, they joined the gala from Berlin, Dresden, Nanjing, Mexico Metropolis, London, Cardiff, Boston, Florida, Texas and San Francisco in addition to Australian cities.
Not surprisingly, three of the best have been graduates from the primary 12 months, soprano Stacey Alleaume and mezzo Sophie Yelland singing a Gounod duet and baritone Hadleigh Adams in an aria from Gregory Spears’ 2016 opera Fellow Vacationers. On the different chronological finish, baritone NuoLin OuYang, who graduated final 12 months, confirmed nice promise in an aria by the Rely from Mozart’s Marriage of Figaro.
Additionally spectacular have been soprano Jessica Harper in a Caccini music, New Zealand tenor Harry Grigg with a music from that nation’s most interesting composer, Douglas Lilburn, and mezzo Ashlyn Tymms with a sultry account of the Habanera from Carmen. The web sound high quality was surprisingly acceptable.
On Saturday night time, GO teamed up with American experimental theatre firm Monk Parrots to current New York composer David Lang’s chamber opera love fail, a haunting a cappella work for soprano, two mezzos and contralto plus occasional percussion.
The opera relies on the Tristan and Isolde story, by which Lang edits quotations from Gottfried von Strassburg, Sir Thomas Malory, Richard Wagner and others and units them alongside excerpts from trendy tales by Lydia Davis. The texts, pared to the barest minimal, are disjointed however highly effective.
The music was by turns eerie, plangent, hypnotic and ethereal, with wealthy musical textures and sonorities, and the consequence was slightly pretty. The singers – soprano Amelia Jones, mezzos Heather Fletcher and Belinda Paterson and contralto Alexandra, all Melbourne-based – have been splendid, and clearly spent appreciable effort getting the stability and mixing completely proper.
Monk Parrots’ video of a person, a younger lady and an older lady – the lovers and the partner – principally transferring slowly round a subject, was extremely symbolic if typically abstruse. However it grew to become more and more evocative because the tales unfolded, and the ending was very efficient.