It additionally comes as Village Roadshow’s largest unbiased shareholder, New York-based Mittleman Brothers, makes an attempt to thwart a $758 million takeover bid from BGH.
The Warner Bros movies sometimes represent about one-third of Roadshow’s annual distribution slate, however make up the majority of its income. They’ve created a bedrock of monetary stability that has allowed Roadshow to additionally distribute a variety of Australian and unbiased movies, that are inherently extra dangerous propositions than main Hollywood studio fare.
Within the 2019 monetary 12 months — the final full 12 months earlier than COVID turned the trade on its head — Roadshow launched 43 movies in Australia, 18 of them Warner Bros titles. The 25 Roadshow titles grossed $44.three million; the 18 Warners movies took $236.6 million. In different phrases, 84 per cent of income got here from the Warners slate.
Within the viciously interrupted 12 months to June 30, 2020, Roadshow launched 46 movies, 16 of them Warner Bros titles. Non-Warner titles carried out higher, accounting for 70 per cent of the $143.eight million gross. However that features Joker, a Warner Bros movie that was categorized as a non-WB title as a result of Roadshow Photos was certainly one of its monetary backers. Put Joker within the Warner Bros pack and the WB share is 59 per cent.
But in asserting the tip of the deal to the ASX, Village Roadshow claimed that, after “permitting for overheads … VRL doesn’t anticipate that any materials impairment or write down of belongings will come up because of the expiry”.
That’s most likely finest defined by the arcana of film enterprise accounting.
Field workplace gross figures merely seize the worth of tickets bought; the distributor’s reduce varies wildly, from movie to movie, even from week to week for a single movie (they get extra early within the run, much less later).
Trade sources who spoke on the situation of anonymity counsel the distributor share of a Warner Bros movie such because the just lately launched Tenet or the upcoming Marvel Lady: 1984 (a movie that can nonetheless be on Roadshow’s slate if the discharge date of December 26 stays unchanged) would seemingly common about 45 per cent of the gross throughout its first-run theatrical life.
However little or no of that stays with Roadshow; most of it flows to Warner Bros head workplace in Burbank, California. As Warners’ native agent, Roadshow would seemingly preserve between 7 and 10 per cent of the 45 per cent reduce; its take from that $236.6 million in FY 2019 can be way more modest, someplace beteen $7.5 million and $10.6 million. (These are knowledgeable guesstimates; Village Roadshow, Common and Warner Bros all declined requests for an interview on the matter.)
In response to the latest annual report, VRL made $269.5 million in licensing and distribution income in 2019 ($186.eight million in COVID-affected 2020), which incorporates DVD and digital gross sales, plus gross sales to tv and different exhibition avenues.
However the revenue from distribution was simply $1.1 million in 2019. In 2020, it misplaced slightly below $2.three million.
The pandemic has clearly had an influence, however distribution might not be the gold mine it could appear. In truth, VRL appears to suppose the seam has been all however tapped out.
In its annual report the corporate notes that because of declining markets and “underperformance” of sure titles, it had diminished its movie distribution division’s “carrying worth of goodwill to nil”.
Roadshow has all the time referred to as itself an “unbiased” distributor as a result of it was not owned by Hollywood, it merely did enterprise with the studios (together with, till 1998, Disney).
Karl Quinn is a senior tradition author at The Age and The Sydney Morning Herald.