“Now that I am older, I can have a look at it with clearer eyes and I can see that it is only a white man in brown face profiting from a narrative that is not his to inform,” she says.
Taha, 22, feels for Filipe Mahe, who spoke publicly for the first time not too long ago concerning the anger, embarrassment and ache he had suffered from believing Lilley primarily based Jonah on him.
The actor-comedian, who visited Mahe’s faculty after he featured within the documentary collection Our Boys in 2004, is but to reply to both his feedback or Netflix’s removing of 4 Lilley collection amid debate over the portrayal of non-white characters.
“Oh my god, Jonah from Tonga pisses me off, particularly when different individuals inform me ‘it is only a joke’ or ‘it is only a character’,” Taha says. “They do not must reside with the repercussions of what a personality does for illustration.”
She options in a brief movie by director Maya Newell that’s a part of an modern challenge referred to as Voxdocs – eight brief documentaries concerning the state of the performing arts which were made as a collaboration between Shark Island Institute, Documentary Australia Basis, The Sydney Morning Herald and The Age.
The five-minute movie reveals the impression of a present – concerning the lives of 5 younger girls from the western suburbs – that had gone from a profitable run at PYT Fairfield to the Sydney Opera Home and a Helpmann award nomination. The crowning achievement was to be a 23-venue nationwide tour till COVID-19 pressured its cancellation.
“Everyone was devastated,” Taha says. “I used to be pressured to actually ask myself what’s necessary, what’s one thing you could maintain on to now so that you simply really feel extra grounded at a time when every part is so not sure.”
Newell, greatest recognized for the documentaries Gayby Child and In My Blood It Runs, says she recognized with Taha’s “inside revolution” concerning the significance of id.
“All of us develop up on this nation inspired and solely proven that white tradition is extra helpful than our different identities as Australians,” she says. “Once I reached that age – 20, 22 – I went, no, my Japanese heritage is extremely necessary to who I’m.”
Taha, who lives together with her mom and 11-year-old sister in Merrylands, has used COVID-19 time at dwelling to be taught extra from her mom about Tongan tradition and language, hoping to take this deeper understanding into future performances.
“I’ve by no means felt like I may speak about my heritage and the way that is influenced me in my life as a result of I’ve by no means been requested to,” she says. “It was one thing that got here up quite a bit in making Playlist. It was actually cool for me to signify my tradition and to share my expertise as a girl of color from western Sydney.”
Garry Maddox is a Senior Author for The Sydney Morning Herald.